1999 PROJECTS
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View detail
Photographer: Anne Neil
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| Artist: |
Anne Neil |
| Title: |
I
SHALL CLOSE MY EYES |
| Exhibition: |
Sekali Lagi, Australian
Artists Revisit, Malaysia, Asialink Exhibition at Rimbun Dahan
Gallery |
| Description: |
Detail of installation
set up in the external central courtyard of the gallery space.
The installation consisted of eight "black on black" wall
paintings/panels with English text in individual squares. In the
paving, 365 brushes (each painted white - replacing black
squares in the paintings) were repacked in plastic bags and
installed standing upright. |
| Materials: |
Vinyl canvas, paint,
brushes and plastic |
| Size: |
Wall paintings - 300 cm
x 150 cm, brush size 15 x 18 x 1.5 cm |
| Date: |
August 1999 |
Brief
Concept
Description: |
The concept for this
installation is based on denying of particular aspects of ones
self in order to deal with an external force. The eight panels
begin as black and white checker board patterns. Each white
square is painted over and replaced with a white paint brush in
the ground plane. Lines of text dealing with the senses are
scratched through this layer of black paint to expose the white
beneath. |
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 View detail
 View close-up
Photographer: Bill Shaylor
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| Artist: |
Anne Neil and Steve
Tepper |
| Title: |
NESTING |
| Description: |
The root guard with terrazzo
bench seats in the landscape forecourt, Bayswater Police Station |
| Materials: |
Cast iron three root
guard with terrazzo bench seats of charcoal coloured concrete
with pea gravel detailing |
| Client: |
CAMS with Police
Department |
| Architect: |
Sandover Pinder and Plan
E - Landscape Architects |
| Art
Consultant: |
Malcolm McGregor |
| Size: |
Overall bench seats (2
seats on either side of the tree root guard) - 4 & 5 metres
in length x 450 mm width x 450 mm height |
| Location: |
Bayswater Police
Station, Perth, Western Australia |
| Date: |
Opened May 1999 |
Brief
Concept
Description: |
Our aim for this project
was to design functional pieces that could be incorporated into
the landscape. The use of cast iron recalls architectural detail
in the older homes in the area. Our design philosophy was to
communicate a sense of protection and nurturing while remaining
dignified in context with the function of the building as a
working police station. |
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 View detail
 View detail
Photographer: Robert Frith |
| Artist: |
Anne Neil and Steve
Tepper |
| Title: |
WALL
PANELS |
| Description: |
12 wall panels in low
relief set into alcoves |
| Materials: |
Cast/rammed earth |
| Client: |
At Mark's Anglican
School |
| Architect: |
Chris Oakley |
| Size: |
Individual compositions
500 mm square |
| Location: |
St Mark's Anglican
School Community Chapel, Hillarys, Perth |
| Date: |
Opened September 1999 |
Brief
Concept
Description: |
The parable of the sower
and the seed formed the basis for the twelve integrated panels
that are set into the walls on either side of the chapel. |
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Photographer: Roel Loopers |
| Artist: |
Anne Neil |
| Title: |
WHITE
FLOTILLA |
| Exhibition: |
Good Bye CY, Artplace
Gallery, Perth, Western Australia |
| Description: |
Detail of installation
of 300 white cast resin sheep on boat forms |
| Materials: |
Painted cast resin |
| Size: |
Individual sculptures -
20 cm x 12 cm x 15 cm |
| Date: |
September 1999 |
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Photographer: Bill Shaylor |
| Artist: |
Steve Tepper |
| Title: |
ENTRANCE
FEATURE |
| Description: |
One of the four entrance
feature sculptures that flank the signage on either side of the
road marking the two entrances to Technology Park Bentley |
| Materials: |
Cast marine grade
aluminium |
| Client: |
Department of Commerce
and Trade and CAMS |
| Architect: |
Plan E |
| Art
Consultant: |
Urban Thresholds |
| Structural
Engineer: |
Buckland Engineers |
| Size: |
5400 mm high x 400 mm x
200 mm at the base of the artwork |
| Location: |
Technology Park,
Bentley, Western Australia |
| Date: |
April 1999 |
Brief
Concept
Description: |
The specific task was to
develop entry features that symbolically identified the
character and feel of aspects of technology and that would act
as a landmark. |
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Photographer: Roel Loopers |
| Artist: |
Anne Neil |
| Title: |
I
DREAM OF GREEN |
| Exhibition: |
Good Bye CY, Artplace
Gallery, Perth, Western Australia |
| Description: |
Detail of installation
of 100 boxes on wheels. Each box is covered in artificial grass. |
| Materials: |
Timber, artificial grass
and plastic wheels |
| Size: |
Individual boxes 20 x 90
x 150 cm |
| Date: |
September 1999 |
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Photographer: Robert Frith |
| Artist: |
Anne Neil |
| Title: |
RAW
& I SHALL |
| Exhibition: |
Good Bye CY, Artplace
Gallery, Perth, Western Australia |
| Description/Materials: |
Patinated brass |
| Size: |
1000 x 1000 x 40 mm |
| Date: |
September 1999 |
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Photographer: Steve Tepper
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| Artist: |
Anne Neil |
| Title: |
TAKING
THE MICKEY |
| Exhibition: |
Sekali Lagi - Australian
Artists Revisit, Malaysia Asialink Exhibition at Rimbun Dahan
Gallery, Kuala Lumpur, Malaysia |
| Description: |
Installation of "Mickey
Roo" sculptures. Each Mickey Roo has a Mickey Mouse head
with a kangaroo body with a joey in each pouch. |
| Materials: |
Bronze |
| Size: |
Various |
| Date: |
1999 |
Brief
Concept
Description: |
The concept for this installation
is based on globalisation and the influence of one culture on
another. |
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Photographer: Robert Frith |
| Artist: |
Anne Neil |
| Title: |
abc |
| Description: |
Linear Sculpture based on line
drawings of books and pencils |
| Location: |
Mandurah, Western
Australia |
| Materials: |
Cast bronze |
| Client: |
City of Mandurah |
| Art
Consultant: |
Christina McGuinness |
| Structural
Engineers: |
Buckland Engineers |
| Size: |
(H) 5500 mm x (D) 1400 mm x 120 mm |
| Date: |
October 1999 |
Brief
Preliminary
Concept: |
The brief for this artwork was to
design a piece that reflected the history of this site - first
Government School - and could act as a focal point to mark the
entrance of the Community Museum. |
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